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On her
own
Marina was born in 1975 in Moscow. Her father, Viacheslav
Anissin, was a hockey player and her mother, Irina
Tchernaieva, was a pairs skater and placed 6th at the 1972
Olympics. Marina started skating at the age of 4, and at the
age of 9, she decided that she would be a champion one day.
She chose ice dance, because her mother, who had experienced
back injuries because of repeated jumps and spins, thought
it would be better for her health. Marina's parents divorced
when she was 15 years old, and she has always lived with her
mother since then, and she has been a very big support for
Marina in her career. Marina tried different partners before
she teamed up with Ilia Averbukh. The pair was coached by
Natalia Linitchuk and was one of the most promising ice
dance teams in the junior ranks. They won Junior World
championships twice, in 1990 and 1992. However, Ilia
Averbukh fell in love with another ice dancer trained by
Linitchuk, Irina Lobacheva. In 1992, he decided to skate
with her (and he would later marry her),and Marina was left
on her own. Marina had to find another partner, so she
watched dozens of videos with her mother to find the perfect
partner for her: "Mum thought it wouldn't work, but I didn't
have another solution", she said. Two dancers caught her
attention, Victor Kraatz from Canada and Gwendal Peizerat
from France, because of their "good style and technique".
She sent a letter to both of them, but Victor Kraatz never
got it.
A new
partner, a new life
Gwendal was born in 1972 and started skating at the age of
3. His father was a sports teacher. He skated with Marina
Morel until the age of 20, and never ever imagined skating
with another partner. Marina was like his sister, he went to
school with her and had always skated with her, and if she
was going to stop skating, he would stop too. Together, they
were a very promising team in ice dance, and their main
rivals were... Anissina & Averbukh, who beat them at
Junior Worlds. In 1992, when Gwendal received the letter
from Marina Anissina, he didn't really pay attention to it,
but kept it. However, in 1993, Marina Morel was having
troubles with her skating, she took a lot of weight and it
became obvious that she wouldn't be able to go on. Marina
and Gwendal split, but Gwendal remembered this letter he had
received from Marina and he called her. Then Marina came in
France to make a test with Gwendal. "I thought I would just
stay one week to make this test and then convince Gwendal to
come in Russia with me. I thought the best coaches in the
World were Russian", she said. Finally, Marina stayed in
France. She and Gwendal were making a good and balanced
team, and Gwendal's family was ready to take care of her.
But it was difficult for Marina: "they took care of me as if
I was their daughter. They were wonderful, but it was
difficult. I was only 17, and I had left behind all my
family, my friends, everything. And I didn't speak one word
of French. Sometimes, I would go out to cry. I didn't want
to cry in front of them because they would have thought I
was ungrateful." However, Marina & Gwendal were
improving very quickly. They won their first competition
together. At the end of 1993, while waiting in the airport ,
Marina decided to dye her hair in red, a symbol for the
beginning of her new life.
Champions
of the future
The pair placed second at French Nationals in 1994, but
Marina didn't have French citizenship, so they had to miss
Olympics. "Gwendal was frustrated, but I wasn't. What would
have we earned from that? A 10th, 12th place at the Olympics
maybe? There was no interest. I was much better in front of
my TV", Marina said. Anyway, they qualifyed for Europeans
and Worlds that year, where they placed respectively 12th
and 10th. They made another incredible improvement the year
after, placing 5th at Europeans and 6th at Worlds. At that
point, Marina & Gwendal were seen as very probable
champions for the future.
Hopes and
disappointments
In the 1995/1996 season, as their teammates, World bronze
medallists Sophie Moniotte & Pascal Lavanchy had to
withdraw from all the competitions due to an injury, Marina
& Gwendal won their first National title with a very
demanding latin dance, another big step in their
improvement. With that routine, they were hoping for a medal
at Europeans and Worlds. Their main rivals were the
Canadians Bourne & Kraatz. At Skate Canada, Marina &
Gwendal had a very good chance to beat them, but Gwendal
fell in a step sequence at the end of their program. The
Canadians won, and it was a very big disappointment for the
French pair. TV showed Marina crying backstage, with Gwendal
trying to console her. Fortunately, they had more success in
their other Grand prix events: in Trophée de France,
they placed second only behind the Olympic champions
Grischuk & Platov, and they won the NHK Trophy, in front
of Bourne & Kraatz, which qualified them for the first
Champions Series Final. But first there was the European
championships, and the pair was hoping for a bronze medal.
They were third after the compulsory dances, but a little
mistake in the paso-doble, the original dance, put them down
in fourth place, behind the Ukrainians Romanova &
Yaroshenko. Despite a very good free dance, they weren't
able to go up a place and win the bronze medal. Romanova
& Yaroshenko did, and Marina & Gwendal felt like
they had been robbed. After that big disappointment, they
decided to make little changes in their free dance before
the Champions Series Final. Despite a fall from Marina in
the original dance, Marina & Gwendal won the bronze
medal in the final, beating their Canadian rivals. Then, the
bronze medal at Worlds looked more likely for them. However,
in Edmonton (Canada), with a big support from the crowd, it
was Bourne & Kraatz who won the bronze. Marina &
Gwendal placed fourth, this time in front of the Ukrainians
by some way, but still behind the Canadians.
The
pre-Olympic year
The 1996/1997 season started on a good note as Marina &
Gwendal won their second National title, in front of
Moniotte & Lavanchy who were making their come back.
Marina & Gwendal had a new, more mature free dance to
"Ahla Leila", a very powerful arabian music and they were
hoping again to get on the podium at Worlds. But the
Canadians had improved too, and they beat them at Skate
Canada. There, Marina & Gwendal were criticized a lot
about their costumes for being too theatrical, and just
"over-the-top". Furthermore, Marina's skirt was just fringes
and Gwendal was wearing fake boots. Still, the pair won
Trophée Lalique the week after. But in NHK trophy,
they were beaten by Moniotte & lavanchy, who were
improving consistently. Then, Moniotte & Lavanchy beat
them at Europeans to win the bronze medal, and at Worlds,
they placed fourth while Anissina & Peizerat were fifth.
It was the pre-olympic year, and it didn't look like Marina
& Gwendal were going to win a medal at Olympics.
Ready for
the Olympics
Marina & Gwendal had been dreaming for the 1998 Olympics
for years and had built evrerything on that dream. Their
fifth place at Worlds was not going to discourage them. On
the contrary, it was a motivating factor for them to
improve. They prepared very difficult programs for the new
season. Their original dance, the jive, was probably the
most difficult and intricate one. But most importantly, they
had completely changed their style in their free dance.
Skating to "Romeo & Juliet", the pair had found a new,
dramatic and emotional style, and for the first time, they
created what would be their trademark in the future: reverse
lifts, where Marina lifts Gwendal. The program was based on
Shakespeare's story, but they started from the end: the
start pose represented Romeo (Gwendal) lain, while Juliet
(Marina) was holding a dogger. The routine enabled Marina
& Gwendal to win their first bronze medal at
Europeans.
Making
the dream come true
On
February 16, 1998, Marina & Gwendal did it: they won the
bronze medal at the Nagano Olympic games. But it wasn't
easy. Despite the obvious difficulty of both their original
and their free dances, their bronze medal was criticized...
by the people who aimed at it and didn't win it. Bourne
& Kraatz, the Canadians, who had won the bronze medal in
1996 and 1997 at Worlds, thought that the bronze medal at
Olympics would be theirs. And actually, they were the
favorites to win it. But they placed only 5th in the first
compulsory dance, and a small mistake at the end of their
original dance put them in 4th place. With their coach, they
complained, tried to convince everyone that they deserved
the bronze through press conferences and discussions with
the judges. And in fact, the judges put them third in the
free dance, but it was not enough to beat Marina &
Gwendal who had been ahead of them in the first two rounds.
Furthermore, Sophie Moniotte & Pascal Lavanchy, who were
coming back after injuries with high hopes for the Olympics,
placed only 11th; Sophie Moniotte then said that Marina
& Gwendal won the bronze medal only thanks to the French
Federation. She said that the the Federation made a deal
with the German federation so that Winkler & Lohse could
place in the top 10 in front of Moniotte & Lavanchy, but
in return, the German Federation would help Anissina &
Peizerat to win the bronze. Of course these were stupid
reactions and almost everybody agreed that Marina &
Gwendal more than deserved their bronze medal. And a few
weeks later, Marina & Gwendal won the silver medal at
Worlds, with a much better performance than at Nagano, this
time placing ahead of the Canadians in the free
dance.
"We want
to become World champions"
The
1998/1999 season arrived quickly, and with it new goals for
Marina & Gwendal. Their new free dance was a wonderful
combination of drama, originality, and technical difficulty.
The music, "The Man in the iron Mask" soundtrack, was
powerful and intense. Marina & Gwendal unveiled that new
program at 1998 Skate America where they won the gold medal
and the hearts of everyone. After an even better performance
at Trophée Lalique some weeks later, Gwendal said:
"we've made this program with one goal: we want to become
World champions." Looking at how successful the routine was
at NHK Trophy and at French Nationals, where they got
several perfect 6.0s, and how the modern "drums routine" of
the Russians Krylova & Ovsiannikov had been criticized
in the first half of the season, Marina & Gwendal
arrived at Europeans as good favorites. They had decided to
change their music for the original dance, because "Waltz
masquerade", the music they had used before, was used by
many other teams. As it was the first time they performed
the new routine, they were a little slow over the ice and
were given 2nd place by all judges. But Marina & Gwendal
knew that their strongest point was their free dance and
still had high hopes. In the free dance, Krylova &
Ovsiannikov skated first in the last group of skaters. Their
program was difficult and innovative, but they didn't really
look comfortable and the routine looked very cold. the
judges gave them cautious but good marks, around 5.8. Then
came Marina & Gwendal, who skated their best performance
of the season so far and got a standing ovation from the
thousands of spectators. Everyone thought they had done it,
and in fact 4 judges put them in first place... but 5 judges
put them in second place, and they actually finished in
second place. Marina & Gwendal, as well as thousands of
fans were disappointed, but that performance gave them even
more hopes for Worlds.
Drama at
Helsinki
Marina & Gwendal's hopes were all
leading to Worlds, but before there was the Grand prix
Final, where they had to skate against Krylova &
Ovsiannikov again. Marina & Gwendal weren't expecting
anything from this final: first, it was taking place in
Russia, and whatever the results would be, they wouldn't
mean anything for Worlds. Marina & Gwendal had improved
their Waltz, and nearly beat the Russians in the original
dance. But their free dance was not as secure as it had been
before, the Russian crowd was kind of cold with them, and
Marina & Gwendal later complained about the fact that
the music was deliberately played very low. The Russian won,
but it was not a done deal yet. The 1999 Worlds were taking
place in Helsinki, and Marina & Gwendal still had hopes
for the gold medal. However, the first compulsory dance was
already full of drama: Marina & Gwendal placed 3rd
behind Krylova & Ovsiannikov, and Bourne & Kraatz.
They felt that the judges tried to keep them from winning
the gold, and in the short time between the first and the
second compulsory dance, there were rumors that Marina &
Gwendal wouldn't even skate the second CD. Fortunately,
these rumors didn't prove correct, and Marina & Gwendal
gave their best in the second CD to move up to second place.
However, they had placed third in the first CD, and if they
wanted to win the gold, they had to place first in both the
original dance and the free dance. It looked almost
impossible to many people, but Marina & Gwendal believed
in it. And in fact, they skated their best Waltz of the
season and placed first in the original dance! Then, their
hopes of gold were even higher, and everybody already saw
them as the champions. Despite the immense pressure that had
been put on them, Marina & Gwendal skated a wonderful
performance at Worlds, probably their best free dance of the
season, and received quite high marks. But the Russians had
improved their routine a lot since Europeans, and they
skated their best performance too at Worlds. It was very
close again, but the Russians won the gold. The French
federation officially complained about the fact that the
Chinese judge, who had placed Anissina & Peizerat in
first place, changed his marks in the last second to place
Krylova & Ovsiannikov in first. The marks had already
been given to the referee, but the referee (who was Russian)
allowed the Chinese to change his marks. In the end, the ISU
said that he had the right to change his marks because the
marks had not been announced yet.
"We'll be
ten times better"
Marina & Gwendal had faced one of the
biggest disappointment in their lives, but they said: "if we
have to be ten times better than the Russians, then we'll be
ten times better." So they decided to work even harder on
new programs. Jayne Torvill & Christopher Dean came in
Lyon to coreograph their routines. Chosing a new theme was
difficult: first, Marina & Gwendal wanted to play
slaves, but they didn't find the right music to do it. Then,
Gwendal thought about Carl Orff's Carmina Burana, and a few
days later, he received an e-mail from Jayne Torvill who had
found the right music: Carmina Burana! "I thought: that's a
sign!", he said. Marina & Gwendal trained hard on new
and more difficult steps and lifts. They soon learnt that
Krylova & Ovsiannikov were also working hard on a new
program to... Carmina Burana.
Highs and
lows
Their first competition of the season was Trophée
Lalique. It would be a test for their new programs. The
original dance that season was a latin combination. It is
not the kind of dance that suits Marina & Gwendal well,
but they had put up together an ambitious and original
program. However, at Lalique, their OD didn't have a lot of
success, and they even got out of synchronization in a step
sequence. On the contrary, the Italians Fusar-Poli &
Margaglio, who had a natural feel for the latin dance, and
who had made dramatic improvement, skated a very good OD.
Marina & Gwendal were still in first place but it was
very close between the two teams. The Italians then skated a
difficult and entertaining celtic free dance, and got marks
as high as 5.9 for presentation. Marina & Gwendal, who
skated next, had to give everything to beat them. They
unveiled a powerful and technically very difficult routine
and got a standing ovation from their home crowd, as well as
a 6.0 from the british judge and won the gold. Still, the
program looked a little slow over the ice and not very
polished yet. But Marina & Gwendal worked hard to be
better at NHK Trophy a few weeks later. They made changes in
their OD, and worked on their speed in their free dance, and
it paid off: both routines looked much better. Their next
competition was French Nationals, and there was no doubt
that they would win easily. However, Gwendal injured his
hand before the competition, and during the free dance, his
boot came loose suddenly and they had to stop at the middle
of the program. Still, they skated a magical interpretation
of Carmina Burana and were given several 6.0s and the gold
medal.
Champions
finally
One year after their disappointing silver medal at
Europeans, Marina & Gwendal entered the 2000
championship as red hot favorites. Indeed, their main
rivals, Krylova & Ovsiannikov, had to withdraw due to a
very serious back injury. There was a lot of pressure, but
Marina & Gwendal had won all the competitions they had
entered that season, including the Grand prix Final in their
hometown, Lyon, they had changed their original dance and
had polished their free dance to perfection. Europeans
didn't start on a high note for them, since they hardly
placed first in the Yankee Polka compulsory. In fact, they
looked very nervous and the dance looked messy. Still, their
Tango compulsory was without a doubt the best. They placed
first in the original dance, with a very good performance
and great marks from the judges, although it was very close
again between them and the Italians. But Marina &
Gwendal knew that their free dance was the best and were
confident. They skated wonderfully, and received 6.0s again.
There was no doubt that they were the champions, and it
looked even more likely that they would win the gold at
Worlds. At Worlds, the pressure was even more intense, as
Marina & Gwendal skated in France. Sure, they had the
crowd behind them, but on the other side it was very
difficult not to disappoint them. They had the hopes of a
country on their shoulders. They skated two wonderful
compulsory dances that put them way ahead of the other
teams. But in their original dance, which they had changed
again, Gwendal nearly fell in one of the required step
sequences. The judges had to make a deduction, and as the
Italians skated perfectly, Marina & Gwendal dropped down
to second place. It was a big disappointment for them, and
they knew from that point that they had to skate perfectly
in the free dance if they were to win. The crowd was extatic
even before Marina & Gwendal skated their Carmina Burana
routine. "It was hard to keep concentrated", Gwendal said.
But they skated wonderfully, even though there was a small
mistake on a lift. The judges gave them four 6.0s, and
finally, Marina & Gwendal became World champions.
"Winning in my home country is a dream come true," Gwendal
said, "I will never forget it."
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